Throughout his life, Andy Warhol would step into the camera’s frame and pose as some version of himself. In the early 1960s, a photo-booth strip shows him with his collar turned up and dark shades on, a look reminiscent of the movie stars he idolized. By the 1980s, another version of Warhol emerged. He and close friend Christopher Makos collaborated on a series of images portraying Warhol in drag, as he sometimes dressed for parties. The artist is seen wearing a series of different wigs—short and sassy, dark and mysterious, gray and matronly, long and wild—in a full face of makeup, including deep red lipstick. Most were taken during the same session as those in Makos’ series Altered Image, modeled after Man Ray’s 1920s work with Marcel Duchamp, in which the two artists created a female alter ego named Rrose Sélavy for Duchamp.
Warhol’s Self-Portraits in Drag
Throughout his life, Andy Warhol would step into the camera’s frame and pose as some version of himself. In the early 1960s, a photo-booth strip shows him with his collar



